Auditorium Pirelli Headquarters / at 09:00 PM
SONS OF BEETHOVEN
Prior to Beethoven, trios were linked to Baroque tradition, and each instrument was locked in its place. After him, the cello was emancipated, the piano became an orchestra in itself, and the three instruments began to engage in uninhibited dialogue. Schumann latched onto this and had Beethoven in mind when he composed, making the instruments sing while recovering the severity involved in counterpoint.
Robert Schumann
Trio in fa maggiore op. 80
Ludwig van Beethoven
Trio in mi bemolle maggiore op. 70 n. 2
Il concerto è preceduto da una breve introduzione di
Mattia Palma
Free Admission
