FROM RAMEAU TO ELECTRONICS

Milano / Friday 11 September 2026

Santeria Toscana 31 -   A large indoor square, a creative factory, the space at Viale Toscana 31 is part of the redevelopment plan for cultural and social areas supported by the Municipality of Milan. One thousand square meters that Santeria S.p.A. has transformed into the grand scale of the first and historic location at Via Paladini 8: a large bar with a kitchen, an impressive theater, a shop, a training room, a meeting room, and an artist’s studio. All of this is located in front of the upcoming Bocconi campus, near the Vettabbia park, and next to the former Porta Romana railway yard, which faces important urban projects (Fondazione Prada, Fondazione Filarete, Pompeo Leoni Center, IED). Santeria Toscana 31 is a unique model of entertainment, business, and work, with high production, cultural, and recreational goals for the entire city. / at 08:00 PM

Adélaïde Ferrière
Adélaïde Ferrière

Adélaïde Ferrière, in his second program, pushes the perimeter a little further a little’: from Rameau and “Vivaldi's Bach” (BWV 593) to the threshold of the radical twentieth century. Cage for snare drum and case, Psathas, Álvarez's Temazcal between percussion and tape, up to Xenakis's Rebonds, with a tribal flavour. Here harmony is a relationship of gestures, intensity, timing: pure energy.

Jean-Philippe Rameau Brani da Nouvelles Suites de Clavecin  
  Allemande dalla Suite in la 
  L’Indifférente, L’Égyptienne dalla Suite in sol Adélaïde Ferrière Nuova composizione per marimba Johann Sebastian Bach Concerto in la minore BWV 593 (da Antonio Vivaldi) John Cage Composed Improvisation per tamburo rullante John Psathas  One Study, One Summary   Javier Álvarez  Temazcal  Iannis Xenakis Rebonds B

Adélaïde Ferrière, percussion

Presenting Partner
 

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