MIRACULOUS DAUGHTERS

Teatro Cardinal Massaia / at 09:00 PM

Beethoven was the first: Until him, no one had ever managed to balance out the disparate sounds of the cello and the piano. Rachmaninoff also explored the combination, with an emphasis on the romantic. Things were certainly not easy for Debussy, who initially wanted to entitle this piece Pierrot, Angry at the Moon. As listening experiences, they’re marvelous sonatas. And behind each lies a small miracle.