Steve Swallow was born in New York City in 1940, and spent his childhood in Fair Lawn, New Jersey. Before turning to the acoustic bass at age 14, he studied piano (with Howard Kasschau, who also taught Nelson Riddle) and trumpet. His otherwise miserable adolescence was brightened by his discovery of jazz. He took many of his first stabs at improvisation with Ian Underwood (who subsequently became a Mother Of Invention and an L.A. studio ace), with whom he attended a swank New England private school. During his years at Yale University he studied composition with Donald Martino, and played dixieland with many of the greats, among them Pee Wee Russell, Buck Clayton and Vic Dickenson. In 1960 he met Paul and Carla Bley, left Yale in a hurry, moved to New York City, and began to tour and record with Paul Bley, The Jimmy Giuffre Trio and George Russell’s sextet. He performed in the early ‘60s with João Gilberto, Sheila Jordan, and bands led by Benny Goodman, Marian McPartland, Chico Hamilton, Al Cohn and Zoot Sims, Clark Terry and Bob Brookmeyer, and Chick Corea. In 1964 he joined the Art Farmer Quartet featuring Jim Hall, and began writing music. Many of his songs have been recorded by prominent jazz artists, including Bill Evans, Chick Corea, Stan Getz, Gary Burton, Art Farmer, Phil Woods, Jack DeJohnette, Steve Kuhn, Lyle Mays, Jim Hall and Pat Metheny. He toured from late 1965 through 1967 with the Stan Getz Quartet, which also included Gary Burton (replaced in 1967 by Chick Corea) and Roy Haynes. In 1968 he left Getz to join Gary Burton’s quartet, an association he maintained, with occasional time off for good behavior, for 20 years. He has performed on more than 20 of Burton’s recordings, the most recent being Six Pack, released in 1992. In 1970 he switched from acoustic to electric bass and moved to Bolinas, California, where he wrote music for Hotel Hello, a duet album for ECM with Gary Burton. Returning to the East Coast in 1974, he taught for two long years at the Berklee College of Music. In 1976 he was awarded a National Endowment For The Arts grant to set poems by Robert Creeley to music, which resulted in another ECM album, Home. He performed with such diverse artists as Dizzy Gillespie, Michael Brecker, George Benson and Herbie Hancock, and recorded with Stan Getz (on an album featuring João Gilberto), Bob Moses, Steve Lacy, Michael Mantler and Kip Hanrahan. He also played on recordings produced by Hal Willner, on tracks featuring, among others, Carla Bley, Dr. John and James Taylor. In 1978 he joined the Carla Bley Band. He continues to perform and record with her extensively, in various contexts. He toured and recorded often with John Scofield from 1980 to 1984, first in trio with drummer Adam Nussbaum, and then in duet. He has since toured often with Scofield, and has also produced several of his recordings. He has co-produced many albums with Carla Bley for her record companies WATT and XtraWATT, including Night-Glo (1985), which she wrote to feature him, and Carla (1987), a collection of his songs featuring her. In 1987 he also produced the first of four albums for the British saxophonist Andy Sheppard. In the ensuing years he produced recordings for Karen Mantler, Lew Soloff and Niels-Henning Orsted Pedersen, and recorded and/or toured with, among others, Joe Lovano, Motohiko Hino, Ernie Watts, Michael Gibbs, Rabih Abou-Khalil, Paul Bley, Henri Texier and Allen Ginsberg. In 1988 he and Carla Bley began performing duet concerts in Europe, the United States, South America and Japan. Duets, an album of their songs arranged for piano and bass, was released in 1988, and a second recording, Go Together, in 1993. In December of 1989 he reunited, after 27 years, with Jimmy Giuffre and Paul Bley to record two discs for Owl Records entitled The Life Of A Trio. This trio toured frequently until Spring of 1995, and recorded for Owl and Soul Note Records. In 1991 he composed and produced Swallow, an XtraWATT recording featuring his five-string bass and several of his longtime associates, including Gary Burton, John Scofield and Steve Kuhn. In November of ‘96 he introduced the Steve Swallow Quintet, with Chris Potter, Ryan Kisor (subsequently replaced by Barry Ries), Mick Goodrick and Adam Nussbaum, to audiences in Europe, and recorded with this group after its tour. The resulting album, Deconstructed, features his compositions based on classic Tin Pan Alley song structures; it was released in early 1997. He toured relentlessly in 1997 with Trio 2000 (with Paul Motian and Chris Potter), Carla Bley, John Scofield and several others, and recorded with several diverse artists, including Henri Texier (with Lee Konitz and Bob Brookmeyer), Glen Moore, Ettore Fioravanti and Michel Portal. He also produced the first of two recording by French drummer/composer Christophe Marguet. 2000 proceeded apace. After a return to Tokyo with Carla Bley, this time performing Fancy Chamber Music, and to Sao Paulo performing Duets, he roamed Europe again with Paulo Bellinati. European festival-goers found him with Bobby Previte in July, and with John Scofield in August. In September he reunited with Lee Konitz and Paul Bley for appearances in the USA, and then returned to Europe for further tours with Bobby Previte and Carla Bley. The Fall of 2003 saw the birth of Carla Bley’s new quartet, The Lost Chords; drummer Billy Drummond joined Bley, Sheppard and Swallow. The band toured and recorded an eponymous album in November. A December engagement at the Blue Note in New York City with Scofield and Stewart also yielded a live album, En Route. In August of 2005 Swallow, his old friend Steve Kuhn and the Cikada Quartet recorded music written by the bassist to poems written and read by Robert Creeley. The album, titled So There, was released in November 2006. In a review of it in the New York Times, Ben Ratliff said “It’s a record with a soul, remarkably curious and thoughtful, and it gets you thinking about what kinds of things stimulate music.” Steve Swallow placed first (electric bass) in the Downbeat International Critics Poll from 1983, and in the Downbeat Readers Poll from 1985, until 2004, when the category mysteriously disappeared from the polls. He has also won the Jazz Times poll (electric bass) for the past several years, and has been voted the Jazz Journalists Association's electric bassist of the year since 2001, when that category was instituted. He lives now in contented isolation with Carla Bley, in the mountains of upstate New York.