Torino / Wednesday 12 September 2018


When she plays, Evelyn Glennie perceives music as a dance. What her ears don’t hear, her body in movement does. It’s as if she were drawing rhythms in space. Besides listening to her, seeing her perform is a truly special experience.

Keiko Abe

Prism Rhapsody

Evelyn Glennie, Philip Sheppard

Orologeria aureola

James Keane

Piece for dance

James Tenney

Having never written a note for percussion

Nebojša Jovan Živković

Quasi una sonata

Evelyn Glennie, percussion

Assigned Seating € 15

This website uses cookies to deliver you some of its features.
By visiting the website you accept our cookie policy.